From: Neil Queen-Jones
Date: Tues, 6 Sept 2011
To: Jon Kwest
Re: Moombahjaz
Date: Tues, 6 Sept 2011
To: Jon Kwest
Re: Moombahjaz
Dear Mr Kwest,
It was with great anticipation and a little bit of a Japanese schoolgirl handclap-squeal combo that I received the email from you containing your latest release, Moombahjazz Vol 1, a 108bpm-dembow tribute to the great Tito Puente. Over the past god-knows how long, your tracks have never strayed far from 'oh fucking hell that's very good indeed', and even on the rare occasions that quality does vary, a lesser track would still be worth a solid 'oooooooh!' and a contented facial expression, not dissimilar to when finding a beer tucked away at the back of the fridge.
This time, however, I have to admit that I had some slight reservations. I've become concerned with moombahton's minor obsession with genre assimilation. I even got to the point of having chin-stroking, self-important chats about it with my moombah-peers about the issue, and feared that, on the back of Dust Mask, you too might be veering towards an over-reliance on that. I think there's a threshold of four new sub-genres a week - any more than that and the system starts glitching.
So you can imagine the size of the Japanese schoolgirl squeal-clap combo part 2 when it transpired that within the EP was Chang, an absolute screamer of a track that cannot be reisisted; a glorious, percussive, uplifting and joyous one that carries on the fiesta vibe you recently displayed with Cubia, your also-overwhelming track on Sabo's Moombahton Massive 5 EP.
Jon Kwest - Cubia ft on "Moombahton Massive V" soundcloud.com/solselectas by Jon Kwest
Keep it up, and ta everso for the freebie.
Yours with an increased sense of faith,
Neil Queen-Jones
www.popculturecarepackage.com
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